
A hush spreads over the crowd.
They wait, quiet, holding a collective breath.
The lights come up in the glare of the blues and reds.
The D300 is on stage.
For backup is me, shooting with my iPhone as my Nikon takes center stage. The fisheye is focused and ready. The lights blaze, the shutter opens, and the show begins.
You’ve read the back story. Now see the shots.

Denise from the Main Street Cafe asked me to take some photos of the building, now the renovations are nearing completion. It’s a fun venue with nice acoustics, and I was more then happy to stop buy. At some point I’d like to put a full fledged shoot together, but for now the space itself offers some interesting images.










I shot a show for the Main Street Cafe, as they raise funds for building renovations. Denise said they could be open again in the summer, I hope so.
This show was hosted at…
Today I discovered Shadowbox is not Vista friendly. Ah Vista, the anti-social operating system. The PC Newswire says it all.
In light of this, I redesigned the Elwood Construction site (now officially live at
The best and worst part of shooting a show is lighting. If the stage is well lit, all those multicolored bulbs offer up interesting effects. If there’s no stage at all, things get tricky. As I try not to use…
Home » Photography » Rockin’ the mic
Hey, I saw your pictures of MSC on Facebook, and Denise gave me your link. I just wanted to ask how you did photo number seven (The mic, with all the colored lights behind it) Just curios-I’m a photographer too, and I LOVE that effect!
Well, All of these pictures are awesome. If there is even a way to capture all the soul in that building, I think you’ve got it right there. Your work is awesome, thanks for sharing it with us!!
-Rachel
Hey thanks! For the lights the key is a long exposure at a high aperture. I had the camera on a tripod and set on f16 at 2 seconds. A much loved effect.
I’m always try to get to the center of a subject in my photos – I glad you see it too.
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